Field Notes: The Troubled Man

We watched the final episode of the BBC’s Wallander entitled “The Troubled Man” based on the book of the same name by Swedish author┬áHenning Mankell this past Sunday (10/16/16) evening, and it was a calm and thoughtful end to a great series.

(Spoilers follow)

This final fourth series ended with Kurt Wallander more at peace then we’ve seen him up to this point. Instead of drinking himself to self-destruction, the detective is exercising and spending more time with his daughter and granddaughter.

While I usually like a show to keep going if the quality is there, Wallander reminded me that keeping things at a certain clip (four series is this case) means that the main characters are made to grow – you don’t have years and years for them to stay the same and only make a change at the very end.

kenneth_branagh_bids_farewell_to_wallander_in_a_moving_final_episode

a cold cup of Sweden

(Sidenote – I believe roughly half of the script was Kenneth Branagh frantically looking about and saying, “Hakan?”)

I also appreciated that Kurt survived to make that growth, to see his memory slipping and accept what’s happening instead of going down in a tragic/heroic gunshot. The rifle he slung across his back gave me pause on that, but all turned out well-ish.

His father showing up at the end was a nice touch as well.

On a show that paired a bleak landscape with even bleaker human nature, to have Wallander find a measured peace was fresher than the wind blowing off the nearest fjord.

 

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Wallander, series 3

Wallander

We finished series 3 of Wallander earlier this year, and it has me questioning the main character.

How he pushes people away, and the result of that – the self-inflicted state he’s in – it leaves me thinking: how do I view this character? Is he someone to be admired because of what he does? Is that what makes him good at his job? Is it worth it?

Good stuff to chew on, and I just want our boy to be happy ­čÖé